PORTRAITS IN WAX – Debuting at the BWAC Summer Pier Show

Posted in Art Events on June 28th, 2009 by admin

I am very proud to be a member of the BWAC (Brooklyn Waterfront Artist Coalition). The annual summer show is just around the corner and I am exhibiting my latest encaustic portraits for the first time.

Portraits in Wax

PORTRAITS IN WAX

On display at the BWAC Summer Pier Show

“Art in Changing Perspectives”

July 11th – August 16

1-6pm

Weekends Only

Opening reception Saturday, July 11th between 1-6pm

Located: 499 Van Brunt Street

Red Hook, Brooklyn  (Across from Fairway)

From Manhattan: Take the free “Ikea” water taxi that departs

from Pier 11 in Wall Street.

Water Taxi schedule can be viewed here

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Jeremy Penn was just nominated for a Pinnacle Award!

Posted in Featured News on June 27th, 2009 by admin

Details coming very soon!

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Talcott Publications mentions new art studio and site

Posted in Press Clippings on June 20th, 2009 by admin

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New York Artist Launches Website

New York artist Jeremy Penn has launched a new website, www.jeremypenn.com, featuring his fine art. Referred to as “The best kept secret in the Art World,” Jeremy Penn first gained recognition as a Fine Artist while attending Pratt Institute and later as a featured artist through The Phillips Collection.

The new website coincides with the establishment of the artist’s new New York City studio space located in an emerging artist colony on Brooklyn’s waterfront. Red Hook Studios in Red Hook, Brooklyn complements Penn’s Woodstock, New York studio. For more information on artist Jeremy Penn, visit www.jeremypenn.com.

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Latest Painting – My Self Portrait

Posted in Featured News on June 18th, 2009 by admin

Self Portrait

FYI. I am interviewing myself

Q. Why did I feel compelled to do a self portrait?

A. Through every art history book I have ever read, through every gallery I have ever visited, the artist’s interpretation of themselves has always been the most fascinating facet of art to me.

As artists, I believe that we all share one common element. Sensitivity. Sensitivity to our environments, to people, to life.

Hightened sensitivity is both a gift and curse. It allows us to taste food more richly, see colors more vividly, feel emotions more deeply.

I know I went through life hating the fact that I was sensitive. I viewed myself as fragile and different then all my peers growing up.

Art eventually helped me use that sensitivity to my advantage.

When you finally accept yourself, you learn to harness that sensitivity and allow it to bring you deeper into the beauty of life.

It must be easy to swim in a pool only a few feet deep, yet it must get very boring. While the waters can be rough, I am happy to be swimming in the Ocean.

Q. You just ranted. How does this pertain to your self portrait?

A. Stop interrupting yourself and let me finish. I was saying how all artists share that one comment element of sensitivity. That sensitivity causes you to have a very unique look at yourself. It can be very complex. Knowing the range of feelings that an artist can experience, seeing how an artist portrays themselves to the world is fascinating.

Q. What are you trying to express to the world with your self portrait?

A. The decision to do a self portrait was unexpected. I think if it was a few years ago, my self portrait would look more like a Francis Bacon painting.

The past few years have been the most critical moments in my life as an artist. I learned how important art was to my well being. This resulted in a connection to my art like I never had before. It created a sense of purpose, a sense of certainty, a sense of self.

The reason the painting looks the way it does is because I feel completely connected to my work. Everything is coming together in clear detail.

I wanted the painting to lack abstraction. My connection to art has never been more concrete.

I am very proud of this latest piece. It represents where I am at this point in time.

With all this said, I want to thank Dr. Paul Lichtenburg who has been a doctor, a friend, and a guide.

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Why Encaustic? What really is encaustic painting about?

Posted in Featured News on June 15th, 2009 by admin
Examples of Encaustic Paintings

Examples of Encaustic Paintings

*Warning* – I had English/grammar class right after art. I was always dizzy from the fumes so I didn’t absorb much and now I have terrible grammar. (You don’t have to excuse the terrible excuse above, but please ignore any grammatical errors)

I get asked these two questions almost daily. I am going to use this blog to explain the history of encaustic painting and my discovery of it.

I am pulling this “textbook” definition off of the R & F website:

“Encaustic is a paint composed of beeswax, damar resin and pigments. The term “Encaustic” is often used to describe both the paint itself, and the method for using it. Encaustic paint is applied molten to an absorbent surface, and then fused, (or re-melted), to create a variety of effects. Unlike other paints, encaustic is never wet or dry – it goes from a liquid to solid state and back again in seconds, which means additional layers can be added immediately, without disrupting your composition. Once the surface has cooled, the paint has reached a permanent finish, but the painting can be revised and reworked with heat at any time – minutes or years later.”

Now for the quickest art history lesson on record:

Encaustic painting is an ancient technique that originated with Greek painters in or around 5th century B.C.

How I discovered encaustic painting:

I started attending art school when I was 5 years old. The 18 years to follow were full of art education. Encaustic painting was never a technique that was taught or even mentioned in the classroom. My curiousity lead me to this medium after reading about it in a book about Jasper Johns.

I have always been attracted to bold colors, deep layers, and the idea of unpredictability. For example, I used to make my own medicine mixtures as a child with the idea that I was going to find the ultimate cure for any disease. (I know this sounds dangerous. It probably was. My parents did not have it easy with me.) My “Gesso” was always calamine lotion. From there I would layer on other things from my medicine drawer.

I regress. My point is that encaustic is a medium full of unpredictability that holds no boundaries. I often describe it as a dream. The way your subconscious takes the wheel while you watch how things unfold.

Encaustic painting can be challenging but it offers rewards that are impossible to receive from any other medium.

I have seen artists encapsulate metal and instant coffee grinds in their encaustic paintings. I have seen other artists paint 50+ layers and then burn through them with a blowtorch. The possibilities are endless and if you want to stimulate your creativity, just google “encaustic painting” and learn a little bit about what you can do with this versitile medium.

I am an encaustic painter because I love the challenge of controlling the paint. You must work from your instinct because you are painting with wax which hardens within seconds.

Without giving too much away, I start by creating a long color story. I use that color story within countless layers of encaustic paint applied to a wooden surface. Once the layers are all fused together, I approach the painting as if it was a sculpture, carving out elements, exposing it’s depth. Other mediums such as Oil Sticks, Sumi Ink, and gold leaf seem to make frequent appearences in my work.

My subjects are never what they seem. I tend to choose pop culture icons in order to capture the eyes of the public. These recognizable images are just pieces in a puzzle that are put together forcing you to look for the deeper meaning in the work. The truth lies within the painting’s physical depth.

Encaustics will take your creativity to a new place. You can do things that you probably didn’t think were at all possible.


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Abstract Art vs. Realism

Posted in Featured News on June 12th, 2009 by admin

vs1

Everyone has their own opinion on this matter. The difference between the two really showcases the beauty in the philosophies of art.
I love to visit museums that showcase both styles (obviously there are many subcategories within each style) and watch people’s reaction to the art. A great place to do this is at The Met.
The difference between in the eyes of a viewer who is looking at a Rembrandt vs. a viewer who is looking at a Rothko is remarkable.
My impression was that the viewers of the Rembrandt stared in awe of his aesthetic prowess while the viewers of the Rothko would stare and internalize how the painting made them feel.
These are just 2 examples that live within the large spectrum of art.

I have been involved in the arts for 25 years now and it wasn’t until this year that I fully understood the power of abstract art. When viewing an abstract painting it is like viewing a mirror that has the ability to reflect your inner feelings.

I have studied many of the art masters and I have an enormous amount of respect for all of them.

I was always was (and still am) a lover of Monet and many other Impressionist Painter’s,

However, I have never had a deeper connection to abstract art then I do at this point in time.

Maybe it has something to do with having a much stronger connection to my own work.

Please share your thoughts on the subject. I write this post because I am fascinated by other peoples interpretation of art.

Powerful Quotes for the Creative Being

Posted in Featured News on June 6th, 2009 by admin

I have always been fascinated with the potency of quotes. I interpret most quotes like I interpret an abstract painting. It is about what feelings these messages invoke within you. It is deeply personal.

I have assembled a list of quotes that have helped me through creative obstacles. I highly recommend that anyone interested in the creative process read the books by author Shaun McNiff. Especially, Trust the Process: An Artist’s Guide to Letting Go.

“Out of clutter, find simplicity. From discord, find harmony. In the middle of difficulty, find opportunity.” – Albert Einstein

“The discipline of creation is a mixture of surrender and initiative.” – Shaun McNiff

“Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.” – Scott Adams

“Creativity is the defeat of habit by originality.” – Arthur Koestler

“Creativity is a type of learning process where the teacher and the pupil are located in the same individual.” – Arthur Koestler

“Creativity requires the courage to let go of certainties.” – Erich Fromm

“I dream my painting and then I paint my dream.” – Vincent Van Gogh

“An artist who waits for inspiration is wasting time.” – David Walker

“You begin with the possibilities of the material and then you see what they can do; so the artist is almost a by-stander while he’s working.” – Robert Rauschenberg

“Your work is to discover your work and then with all your heart, to give yourself to it.” – Buddha

“I would rather not sing than sing quiet.” – Janis Joplin


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